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Bloody Sam: The Life and Films of Sam Peckinpah, by Marshall Fine
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Book by Fine, Marshall
- Sales Rank: #1816289 in Books
- Brand: Brand: Donald I. Fine
- Published on: 1991-11-15
- Released on: 1991-11-15
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x 6.40" w x 1.50" l,
- Binding: Hardcover
- 426 pages
- Used Book in Good Condition
From Publishers Weekly
Best known for Ride the High Country , The Wild Bunch and Straw Dogs , director Peckinpah (1925-1984) had a reputation for being difficult to work with, for making graphically violent films, for a brutish attitude toward women and, especially in later years, for alcoholism and drug abuse, which helped wreck his career and shorten his life. Much of the reputation is deserved, according to Fine, columnist for the Gannet newspapers, but, he argues, Peckinpah's best films are marked by "skill, artistry and vision"p. xiii and broke new cinematic ground. The author also maintains that despite the filmmaker's image as a "hard-drinking, hard-living maverick," Peckinpah was "a sensitive and poetic soul who tried to hide that side from the world."p. xiii The book supports these points, but the narrative is marred by blocks of meandering commentary from family, friends and colleagues of Peckinpah. In addition, Fine's own writing sometimes stoops to the juvenile: about the decreasing ability of Peckinpah's blood to coagulate, we're told, "During The Wild Bunch , that caused a serious pain in the ass: a raging case of bleeding hemorrhoids."p. 137 Photos not seen by PW.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
Peckinpah's films were widely criticized during the 1970s for excessive violence, but they seem almost tame compared to the atrocities portrayed today by his many successors. Syndicated columnist Fine has assembled a rather sad portrait of Peckinpah, who died in 1985 at age 59. Elaborating on old news, Fine portrays him as a hard-drinking, brawling maverick whose rude behavior earned him many enemies in and out of Hollywood. Behind-the-scenes shenanigans are discussed more than the actual films, conclusively showing that Peckinpah refused to compromise his filmmaking principles--or anything else. Perhaps best known for the slow-motion sequences of graphic violence in such films as Straw Dogs (1971) and The Wild Bunch (1969), Peckinpah pursued artistic goals which are better analyzed in previous studies, most notably Paul Seydor's Peckinpah: The Western Films ( LJ 2/1/80). Recommended for subject collections, and general readers hankering for sensationalism.
- Richard W. Grefrath, Univ. of Nevada Lib., Reno
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Gripping account of the two-fisted, drunken life of filmmaker Peckinpah (1926-84) that will keep even a repelled reader drawn in. Fine, a syndicated entertainment columnist, writes with a clear eye unblinded by myth about his hypnotic, larger-than-life subject. Born in Fresno, Peckinpah was the small, wiry, feisty son of a tall, Lincolnesque, dramatically well-spoken lawyer who was also a disciplinarian who thought it wise at times to backhand the boy across the room--which would send Sam into his mother's apron for comfort. Peckinpah went to military school, joined the Marines in WW II, never fired a shot in anger. Surprised readers will discover that his earliest theatrical work was as a stage director for the small-potatoes Huntington Park Civic Theater, mounting South Pacific, Our Town, The Man Who Came to Dinner, and loving productions of Saroyan and Tennessee Williams. Years writing and directing TV oaters (his mother's family were ranch folk) led to his first movie, The Deadly Companions (1961), a flop, then to his first classic, Ride the High Country, distinguished by its first- rate dialogue, authenticity, brilliant editing, and flawless turns by Randolph Scott and Joel McCrae as aging gunfighters. The climactic blood ballet of The Wild Bunch stamped him forever as ``Bloody Sam,'' a name he hated because it ignored everything sensitive and large-minded in his work. By Straw Dogs, he was already his image: a sucker-punching, wife-beating, smash-up drunk, addicted to rage and appreciative of rape and woman-stomping. Fine, however, shows Peckinpah's obverse, in the director's finely crafted, egocentric memos, and in his beleaguered fellow workers' love for him. Again and again, readers will want to backhand Sam across the room but instead will find themselves spellbound by a bullheaded alcoholic in eternal crisis. Like walking barefoot through a nest of snakes and scorpions. (Photos--not seen.) -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Really good biography of the legendary director
By Chris
'Bloody Sam' by Marshall Fine is a very solid book on the great but very self destructive director Sam Peckinpah. Fine has lots of first hand accounts of Sam Peckinpah and his controversial actions. He also has a pleasing writing style that makes the director come to life.
Fine does a good job in depicting the upbringing of Peckinpah in Fresno, California. But the real fun of the book is found when Peckinpah finds his calling as a director and writer. His jobs on the famous TV westerns such as 'The Rifleman' and 'Gunsmoke' are discussed. As is his first feature length film 'The Deadly Companions'. Film buffs will enjoy Fine's depictions of the making of Peckinpah's films such as: 'Ride the High Country', 'Major Dundee', 'The Wild Bunch', 'Ballad of Cable Hogue' 'Straw Dogs', 'The Getaway', 'Pat Garrett and Billy the Kid', and 'Cross of Iron' among others. Fine also tells about projects that Peckinpah never finished such as 'The Cincinnati Kid'. Fine also discusses the famous and very talented actors that worked on these films and their relationship with Peckinpah among them: Steve McQueen, James Coburn, Dustin Hoffman, William Holden, Warren Oates and the list could go on and on.
Peckinpah's personal foibles are also discussed by Fine and are not glazed over. The broken relationships he left in his wake and the daily struggles that he had with alcohol and drugs. His personal life was not a pretty picture much of the time and I believe Fine is fair about it. The reader will also be astounded about the pure joy that Peckinpah seemed to derive from constant arguments with his movie producers. Lesser Peckinpah films are also discussed such as the less than impressive 'Convoy' and the mediocre 'Osterman Weekend'.
If Peckinpah had taken care of himself and controlled himself better he could have made some truly interesting and relevant films into the '80s and '90s. I would have especially liked to see what he could have done with another Western.
This biography of a great director is Highly Recommended!
0 of 0 people found the following review helpful.
Great book about Sam
By Frank J Pagliati JR
Great book about Sam ,really goes into depth, he definitely was a wild man that stood up for what he believed in...His mind was a lil blurred towards the end with the cocaine and booze. Just glad he left us some excellent movies that I never get tired of watching ..Balad of Cable Hogue stands as 1 of my favorites.
0 of 0 people found the following review helpful.
Five Stars
By peter j.
an excellent biography of one of my favorite directors.
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